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That same article noted that the Directors Guild of America had "opened an investigation into the question of whether or not Hooper's official credit was being denigrated by statements Spielberg has made, apparently claiming authorship."[14] The investigation ended in an arbitrator's ruling that "MGM/UA Entertainment Co. must pay $15,000 to director Tobe Hooper because the studio gave producer Steven Spielberg a bigger credit than Hooper got in its trailers," although also noting that "broader issues of dispute exist between producer-writer (Spielberg) and the director" (original damages of $200,000 were originally sought by the DGA).[15] Co-producer Frank Marshall told the LA Times that "the creative force of the movie was Steven. Tobe was the director and was on the set every day. But Steven did the design for every storyboard and he was on the set every day except for three days when he was in Hawaii with Lucas." However, Hooper stated that he "did fully half of the storyboards."[11]
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Sammy continues to refine his skills through adolescence (which is when a thoughtful and subtle young actor named Gabriel LaBelle takes over). He gets better filmmaking equipment that can do more things. When he makes a Western with a bunch of neighborhood kids, he figures out from looking at the way his mother's high-heeled shoe punctured a dropped piece of sheet music on the living room carpet that he can punch holes in strips of film to make it seem like the boys' toy guns are firing blanks, like in a real movie. When Sammy directs a World War II combat film starring his fellow Eagle Scouts, it wins him a merit badge for photography, in large part because he's not just a technician, but a showman who has carefully studied the construction of the movies he loves (John Ford's "The Man Who Shot Liberty Valance" is a big one, and it just happens to be about the tension between reality and myth).
In the end, it all comes back to people figuring out who they are and then deciding whether to fully commit to the course they think will bring them the most happiness. That the movie leaves deep questions unresolved and presents all the related philosophical and aesthetic issues in a playful way (the final shot is a sight gag!) makes the experience quintessential Spielberg. You think he's giving you everything and that it's all right there on the surface. But the longer you sit with it, the more you realize how many gifts it contains.
The difference is that baiting uses the promise of an item or good to entice victims. Baiting attacks may leverage the offer of free music or movie downloads to trick users into handing their login credentials, for example. Alternatively, they can try to exploit human curiosity via the use of physical media.
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